Sandy Phillips  scenic

Solo project. 2012. For "Troilus and Cressida" at Oregon Shakespeare Festival.

Solo project. 2012. For "Troilus and Cressida" at Oregon Shakespeare Festival.

Solo project. 2011. For "Dracula" at Indiana Repertory Theatre.

Solo Project. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Solo Project. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Scenic Artist. 2009. For "The Little Foxes" at The Pittsburgh Public Theater.

Solo project. 2013. For "The Heart of Robin Hood" for The Oregon Shakespeare Festival.

Scenic Artist. 2013. For "The Heart of Robin Hood" at The Oregon Shakespeare Festival.

This once plain welded steel ladder was coated with Nova clear medium to give it this shape.

Scenic Artist. 2010. For "Madama Butterfly" at Santa Fe Opera.

Scenic Artist. 2010. For "The Tales of Hoffman" at Santa Fe Opera.

Planks measured two feet by three inches each.

Mahogany veneer side. Solo project. 2012. For "All the Way" at The Oregon Shakespeare Festival.

Lacquered wood side. Solo project. 2012. For "All the Way" at The Oregon Shakespeare Festival.

Scenic artist. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Scenic artist. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Solo project. 2012. For "Troilus and Cressida" at Oregon Shakespeare Festival.

Solo project. 2012. For "Troilus and Cressida" at Oregon Shakespeare Festival.

Solo project. 2011. For "Dracula" at Indiana Repertory Theatre.

Solo Project. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Solo Project. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Scenic Artist. 2009. For "The Little Foxes" at The Pittsburgh Public Theater.

Solo project. 2013. For "The Heart of Robin Hood" for The Oregon Shakespeare Festival.

Scenic Artist. 2013. For "The Heart of Robin Hood" at The Oregon Shakespeare Festival.

This once plain welded steel ladder was coated with Nova clear medium to give it this shape.

Scenic Artist. 2010. For "Madama Butterfly" at Santa Fe Opera.

Scenic Artist. 2010. For "The Tales of Hoffman" at Santa Fe Opera.

Planks measured two feet by three inches each.

Mahogany veneer side. Solo project. 2012. For "All the Way" at The Oregon Shakespeare Festival.

Lacquered wood side. Solo project. 2012. For "All the Way" at The Oregon Shakespeare Festival.

Scenic artist. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Scenic artist. 2012. For "The White Snake" at The Oregon Shakespeare Festival.

Scenic Artist, 2015 for "Secret Love in Peach Blossom Land." Oregon Shakespeare Festival. 16' x 10'
Scenic Design by Michael Locher.

Scenic Artist, 2015 for "Guys and Dolls" at Oregon Shakespeare Festival. 25' x 30'
Scenic Design by Dan Ostling.

Double translucency. Lights change to reveal the back of postcard with writing.
Grainy quality done by spraying through ropes.

Solo project. 2009. For "L'Elisir d 'Amore" for Santa Fe Opera.

Three sets of portals on red velour for Moulin Rouge for Broadway.
47'x30' with gilded gates, patina-ed molding and ruched fabric.

In-shop image of one portal.

Detail shot of the paint treatment on red velour.

Solo project. 2013. For "The Liquid Plain" at The Oregon Shakespeare Festival.

This is a reproduction of "Et in Arcadia ego" by Nicolas Poussin. The original only measured 35 x 47 inches. I painted this reproduction to 5 x 7 feet in a week.

Solo project. 2013. For "The Liquid Plain" at The Oregon Shakespeare Festival. 7' x 5'

This is a reproduction of "Et in Arcadia ego" by Nicolas Poussin. The original only measured 35 x 47 inches. I painted this reproduction to 5 x 7 feet in a week.

Scenic artist. 2013. For "A Midsummer Night's Dream" for The Oregon Shakespeare Festival.

Every surface of this Elizabethan Facade was painted to look like a forest: walls, floor, and ceiling.

Scenic artist. 2013. For "A Midsummer Night's Dream" for The Oregon Shakespeare Festival. Scenic Design by Michael Gannio.

Every surface of this Elizabethan Facade was painted to look like a forest: walls, floor, and ceiling.

Solo project. 2011. For "James Beard" at Indiana Repertory Theatre.

Solo project. 2012. For "As You Like It" at The Oregon Shakespeare Festival. Scenic Design by Todd Rosenthal.

Scenic artist. 2012. For "The Seagull" at The Oregon Shakespeare Festival. Scenic Design by Christopher Acebo.

Scenic artist. 2012. For "The Seagull" at The Oregon Shakespeare Festival. Scenic Design by Christopher Acebo.

Scenic Artist, 2015 for "Secret Love in Peach Blossom Land" at The Oregon Shakespeare Festival. 52' x 26' Scenic Design by Michael Locher.

Scenic Artist. Solo Project, 2015 for "Secret Love in Peach Blossom Land" at the Oregon Shakespeare Festival. 16' x 8' Scenic Design by Michael Locher.

Scenic Artist. Solo Project, 2015. For "Secret Love in Peach Blossom Land" at the Oregon Shakespeare Festival. 16' x 8' Scenic Design by Michael Locher.

Lead scenic. 2013. For "The Unfortunates" at The Oregon Shakespeare Festival. 65' x 10' Scenic Design by Sibyl Wickersheimer.

This drop needed to read in greyscale when lit from the front, and in black, white and red when lit from behind with red light.

This elevation shows how the drop on the previous page would read when lit from behind and in front, respectively.

Scenic Design by Sibyl Wickersheimer.

Solo project. 2009. For "L'Elisir d 'Amore" at the Santa Fe Opera.

This drop measured 23 x 15 feet.

Scenic artist. 2008. For "The Little Foxes" at The Pittsburgh Public Theatre. Scenic Design by James Noone.

Lead scenic artist. 2010. For "Tales of Hoffman" at The Santa Fe Opera. Scenic Design by Alan Moyer.

Lead scenic artist. 2010. For "Tales of Hoffman" at The Santa Fe Opera. Scenic Design by Alan Moyer.

Solo project. 2013. For "Two Trains Running" at The Oregon Shakespeare Festival.

Scenic Artist, 2015 for "Secret Love in Peach Blossom Land." Oregon Shakespeare Festival. 16' x 10'
Scenic Design by Michael Locher.

Scenic Artist, 2015 for "Guys and Dolls" at Oregon Shakespeare Festival. 25' x 30'
Scenic Design by Dan Ostling.

Double translucency. Lights change to reveal the back of postcard with writing.
Grainy quality done by spraying through ropes.

Solo project. 2009. For "L'Elisir d 'Amore" for Santa Fe Opera.

Three sets of portals on red velour for Moulin Rouge for Broadway.
47'x30' with gilded gates, patina-ed molding and ruched fabric.

In-shop image of one portal.

Detail shot of the paint treatment on red velour.

Solo project. 2013. For "The Liquid Plain" at The Oregon Shakespeare Festival.

This is a reproduction of "Et in Arcadia ego" by Nicolas Poussin. The original only measured 35 x 47 inches. I painted this reproduction to 5 x 7 feet in a week.

Solo project. 2013. For "The Liquid Plain" at The Oregon Shakespeare Festival. 7' x 5'

This is a reproduction of "Et in Arcadia ego" by Nicolas Poussin. The original only measured 35 x 47 inches. I painted this reproduction to 5 x 7 feet in a week.

Scenic artist. 2013. For "A Midsummer Night's Dream" for The Oregon Shakespeare Festival.

Every surface of this Elizabethan Facade was painted to look like a forest: walls, floor, and ceiling.

Scenic artist. 2013. For "A Midsummer Night's Dream" for The Oregon Shakespeare Festival. Scenic Design by Michael Gannio.

Every surface of this Elizabethan Facade was painted to look like a forest: walls, floor, and ceiling.

Solo project. 2011. For "James Beard" at Indiana Repertory Theatre.

Solo project. 2012. For "As You Like It" at The Oregon Shakespeare Festival. Scenic Design by Todd Rosenthal.

Scenic artist. 2012. For "The Seagull" at The Oregon Shakespeare Festival. Scenic Design by Christopher Acebo.

Scenic artist. 2012. For "The Seagull" at The Oregon Shakespeare Festival. Scenic Design by Christopher Acebo.

Scenic Artist, 2015 for "Secret Love in Peach Blossom Land" at The Oregon Shakespeare Festival. 52' x 26' Scenic Design by Michael Locher.

Scenic Artist. Solo Project, 2015 for "Secret Love in Peach Blossom Land" at the Oregon Shakespeare Festival. 16' x 8' Scenic Design by Michael Locher.

Scenic Artist. Solo Project, 2015. For "Secret Love in Peach Blossom Land" at the Oregon Shakespeare Festival. 16' x 8' Scenic Design by Michael Locher.

Lead scenic. 2013. For "The Unfortunates" at The Oregon Shakespeare Festival. 65' x 10' Scenic Design by Sibyl Wickersheimer.

This drop needed to read in greyscale when lit from the front, and in black, white and red when lit from behind with red light.

This elevation shows how the drop on the previous page would read when lit from behind and in front, respectively.

Scenic Design by Sibyl Wickersheimer.

Solo project. 2009. For "L'Elisir d 'Amore" at the Santa Fe Opera.

This drop measured 23 x 15 feet.

Scenic artist. 2008. For "The Little Foxes" at The Pittsburgh Public Theatre. Scenic Design by James Noone.

Lead scenic artist. 2010. For "Tales of Hoffman" at The Santa Fe Opera. Scenic Design by Alan Moyer.

Lead scenic artist. 2010. For "Tales of Hoffman" at The Santa Fe Opera. Scenic Design by Alan Moyer.

Solo project. 2013. For "Two Trains Running" at The Oregon Shakespeare Festival.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands three feet tall and one foot deep.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands three feet tall and one foot deep.

Solo project. 2013. For "The Marvelous Wonderettes" at The Utah Shakespeare Festival.

Solo project. 2013. For "The Marvelous Wonderettes" at The Utah Shakespeare Festival.

Approx. 30" I was given the above pen and ink drawing and asked to carve a "brass" three-dimensonal version. The bottom is the result.

Solo project. 2007. For "Amadeus" at The Pittsburgh Public Theare.

This medallions measured two feet across and was gold leafed.

Scenic artist. 2013. For "A Midsummer Night's Dream" at The Oregon Shakespeare Festival.

This stump's frame was built from wood, coated in spray foam, carved and coated to look like bark.

Scenic artist. 2013. For "A Midsummer Night's Dream" at The Oregon Shakespeare Festival.

This stump's frame was built from wood, coated in spray foam, carved and coated to look like bark.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands four feet tall and one foot deep.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands three feet tall and one foot deep.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands three feet tall and one foot deep.

Solo project. 2013. For "The Marvelous Wonderettes" at The Utah Shakespeare Festival.

Solo project. 2013. For "The Marvelous Wonderettes" at The Utah Shakespeare Festival.

Approx. 30" I was given the above pen and ink drawing and asked to carve a "brass" three-dimensonal version. The bottom is the result.

Solo project. 2007. For "Amadeus" at The Pittsburgh Public Theare.

This medallions measured two feet across and was gold leafed.

Scenic artist. 2013. For "A Midsummer Night's Dream" at The Oregon Shakespeare Festival.

This stump's frame was built from wood, coated in spray foam, carved and coated to look like bark.

Scenic artist. 2013. For "A Midsummer Night's Dream" at The Oregon Shakespeare Festival.

This stump's frame was built from wood, coated in spray foam, carved and coated to look like bark.

Solo project. 2009. For "A Midsummer Night's Dream" at The Pittsburgh Public Theatre.

This medallion stands four feet tall and one foot deep.

Scenic Artist. 2007. For "This Wonderful Life" at The Pittsburgh Public Theatre

Scenic artist. 2013. For "Two Trains Running" at The Oregon Shakespeare Festival.

Scenic artist. 2010. For "Life is a Dream" at the Santa Fe Opera.

Scenic artist. 2010. For "Life is a Dream" at the Santa Fe Opera.

Scenic Artist. 2010. For "Tales of Hoffman" at Santa Fe Opera.

These 6 opera boxes were covered in vaccu-form details and meticulously gold-leafed.

Scenic Artist. 2010. For "Tales of Hoffman" at Santa Fe Opera.

These 6 opera boxes were covered in vaccu-form details and meticulously gold-leafed.

Scenic artist. 2013. For "King Lear" at the Oregon Shakespeare Festival.

Scenic Artist. 2007. For "This Wonderful Life" at The Pittsburgh Public Theatre

Scenic artist. 2013. For "Two Trains Running" at The Oregon Shakespeare Festival.

Scenic artist. 2010. For "Life is a Dream" at the Santa Fe Opera.

Scenic artist. 2010. For "Life is a Dream" at the Santa Fe Opera.

Scenic Artist. 2010. For "Tales of Hoffman" at Santa Fe Opera.

These 6 opera boxes were covered in vaccu-form details and meticulously gold-leafed.

Scenic Artist. 2010. For "Tales of Hoffman" at Santa Fe Opera.

These 6 opera boxes were covered in vaccu-form details and meticulously gold-leafed.

Scenic artist. 2013. For "King Lear" at the Oregon Shakespeare Festival.